An online seminar series co-organised with Carlo Brentari. Contact me to get the link for joining the seminar!
April 8 Carlo Brentari & Andrea Mubi Brighenti (Unitn, organisers) – Introduction & Glossary April 15 Timo Maran (University of Tartu) – Biomimicry April 22 Christian Borch (Copenhagen Business School)– Mimesis and Society April 29 Petra Gruber (University of Akron) – Biomimesis and Biornametics in Architecture
Abstract. This paper analyses vertical vision by tracing its possible genealogy and exploring the forms it takes in the contemporary city. In the first section, vertical vision is situated in the context of its cosmographic tenets. In the second section, the critique of verticality is complemented by a topological approach where vertical vision can be seen folding into a novel visual grammar. The lineaments of this grammar can be retrieved by attending specifically to algorithms and their role in contemporary urban perception, which we discuss in the third section. The fourth section implements the suggestions of two artists: Harun Farocki’s notion of navigation, and Hito Steyerl’s notion of bubble vision. Exposing the central role played by digital platforms in ushering in this novel paradigm, bubble vision can be reconstructed as the logical end-point of classical vertical vision. This comes in conjunction with the rise of peculiar visual-cultural configuration, which could be called ‘atmoculture’. Section five submits that atmoculture represents the cultural milieu of bubble vision. In conclusion, the paper invites visual scholars interested in the study of verticality to recognise bubble vision, together with its atmocultural background, as a new expression, and a reconfiguration, of vertical vision: similarly centred and disembodied, exhilarating, and dangerously de-responsibilising.
Abstract. Camouflage is usually understood as a type of deceitful communication
strategy in the animal and human domains. In this piece, we invite scholars to consider how the phenomenon of camouflage, while certainly grounded in antagonism and selection, might exceed its strategic meaning. Using the case of undercover agents movies, we attempt to flesh out the inner logic of camouflage and the type of social-existential situations it gives shape to. Exploring the mundane practical problem of ‘infiltration’ into a social group or social milieu, the article zooms in onto the experience of camouflage and highlights its relatedness to and distinction from imitation. Camouflage is here used not as an overarching interpretive category, rather, as an instance that reveals something about the problems inherent in the constitution of inter-subjective life. The article seeks to contribute to a theoretical development in the study of social logic and social teleology, stressing the curious entanglement of deliberate strategic action and irrational desire that contradistinguishes what could be called the ‘aberrant conjunction’ of the camoufleur and its target. Camouflage, we conclude, is not only about make-believe but also, crucially, about desiring and learning to desire.
Keywords: Mimicry, Camouflage, Undercover movies, Infiltration, Social logic, Social phenomenology, Inter-Subjectivity
The Functions of Camouflage
The Logic of Camouflage
The Existential Phenomenology of Camouflage
The Paradoxes of Camouflage, or, Learning to Desire