An old track from 2005…
Disponibile qui: http://scienzaepolitica.unibo.it/article/view/3900
A speech I’m delivering at: Street Art in the Changing City: Theoretical Perspectives – Moscow, June 7–8, 2013 – http://igiti.hse.ru/en/hsestreetart/announcements/74150089.html
In a sense, both graffiti and street art share humble origins. While the first emerged as an essential expressive form of disadvantaged inner city youth in the late 1960s, the second originated from a more heterogeneous cohort of underground artists who, however, for quite a lapse since the 1970s through the 1990s, remained marginalized in the official art system. Such humble origins were clearly mirrored in the fact that, seen from the outside, early street art entertained only a parasitic relationship to the official cityscape, while graffiti was mostly stigmatized as seen as negatively affecting places (a sign of ‘urban decay’).
Over the last decade, a major counter-trend has made its appearance, whereby street art has moved much closer to the core of the contemporary art system, whereas graffiti has received unprecedented attention from mainstream cultural institutions. Albeit to different extents and not without contradictory or even paradoxical outcomes, both graffiti and street art have been increasingly associated with thrilling lifestyles, urban creativity, fashionable outfits, and hip neighborhoods. A radical transformation has followed concerning the impact these practices have on the value attributed to certain urban places. Rather than value-neutral (invisible) or value-detracting (supravisible) as before, now graffiti and even more pronouncedly street art seem to be value-bestowing (visible). Visibility means they have turned into recognizable and much sought-for items in the urban landscape.
In this context, my aim is to look at recent graffiti and street art events in the context of recent urban transformation. Although such events have popped up almost everywhere in the world, and in the Western countries in particular, I will refer to the case of Italy, where in the last five years I have been collecting a series of detailed field observations. I am puzzling about the social and cultural significance of graffiti and street art in the changing cityscape and the unfolding urban process. By doing so, I am also inquiring into the economic process of place valorization in the current transformations of capitalism. Finally, I am placing these concerns in the framework of the new political processes of disciplination and urban governance.
Here is also a short interview I’ve released : http://www.hse.ru/en/news/85034010.html
Published in Non Liquet [The Westminster Online Working Papers] – Law and the Senses Series – No.1, Taste
Brighenti-wine-tasting (pdf excerpt version)
A speech I delivered at The Sense of Place Cultural sustainability and regional development – Rome 10th -12th April 2013
Full Programme here : http://www.ires.it/files/eventi/Rome_FINAL%20PROGRAMME.pdf
Con Pierangelo Schiera, sto organizzando un ciclo di seminari su “territorio e misura”.
Per iscriversi | firstname.lastname@example.org
With Mariasole Ariot, I’m organising an independent reading seminar of Mille Plateaux / A Thousand Plateaus by Gilles Deleuze and Félix Guattari.
(Img: Fernand Deligny – Lignes d’erres)
(picture credit: Mattias Kärrholm)
a book by Mattias Kärrholm
Drawing on ethnographic observation of a tract of urban riverbank in the city of Trento, in northern Italy, we attempt to link phenomenological observation of social interaction in public places with larger political concerns about contemporary urban public space. While agreeing with Low et al. (Rethinking Urban Parks: Public Space & Cultural Diversity. Austin: University of Texas Press, 2005) that in order to foster public spaces it is necessary to accommodate the differences in the ways social classes and ethnic groups use and value urban sites, we also argue that one should be wary of planning hubris—which can occur in even `good-willed’ planning, and leads to the creation of domesticated and formalised, but also inherently restricted, spaces for encountering differences.
Urban Studies April 12, 2011
Abstract. The paper aims to contribute to the study of new media technologies in urban environments. It unfolds at two levels, epistemological and substantive. First, it discusses the issue of the conceptual tools that we can deploy to understand new media, arguing in favour of notions and methods that enable research to capture the double nature, socio-technical and bio-political, of the new media in urban environments. In particular, the paper claims that new media can be seen as a continuation of the process of ‘urbanisation of territory’ described by Foucault, aimed at the creation of a flexibly controllable space of events. Secondly, it criticises substantively the techno-enthusiast user-empowerment ideology that surrounds new media and addresses issues of inequality, control and resistance in and through new media in the city. The argument is that the augmented, hybrid or mixed urban reality of new media like personal and locative media is neither determinist nor unboundedly mobile. While the freedom of movement and the diverging styles of mobility are becoming a crucial factor of stratification, new tensions and struggles over the nature of urban ‘events’ are likely to take place.