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commonality, intensiology, morphogenesis, social manifolds

The Social Logic of Leadership

A reading of Ruben Östlund’s Triangle of Sadness through Fascist and Aberrant Leadership
Abstract. In this piece, we puzzle about the social logic of leadership through the lens of the movie Triangle of Sadness (2022), directed by the Swedish filmmaker Ruben Östlund. We flesh out a distinction between two modes of leadership, which we call, respectively, fascist and aberrant, and elaborate on how these are seen at work in the film. Phenomena of leadership, we suggest, illustrate the workings of social logic ex vivo, and offer exquisite examples of how intensities intervene in social interaction, giving rise to the tensive states in which the local protagonists of interaction are caught.

Keywords: social theory, social interaction, social logic, social intensities, leadership

–> Contact me if interested in reading the draft!

commonality

… but no city of philosophers

Following the law of separation of the old Herbert Spencer, the selection of heterogeneous talents and vocations was bound to take place of its own accord. In fact, at the end of a century there was already underground in course of development and continuous excavation a city of painters, a city of sculptors, a city of musicians, of poets, of geometricians, of physicists, of chemists, even of naturalists, of psychologists, of scientific or aesthetic specialists of every kind, except, strictly speaking, in philosophy. For we were obliged after several attempts to give up the idea of founding or maintaining a city of philosophers, notably owing to the incessant trouble caused by the tribe of sociologists who are the most unsociable of mankind.

Gabriel Tarde, Underground Man

intensiology, morphogenesis

The external form

We notice that, in a relationship between two people, the external form is rarely an adequate expression of its inner intensity. This inadequacy results from the fact that the inner relations develop continuously, while the external relations develop in a spasmodic fashion.

Georg Simmel, 1900

magic, measure

Punk is magic

‘…and those people who believe in the hairstyle, they call ‘em punk, and if you want to know the truth then I am really a punk. I’m a punk. I’m out of control and I can’t be controlled, if I want to spit here I spit here, if I want to piss there I piss there, anything I want to do I do it. Punk is magic.’

Lee Scratch Perry